Cloud computing and virtual production were the hot tickets at NAB 2022, where attendance was 52,468, down 40 percent since the previous most recent live show in 2019, when 91,500 convened in Las Vegas. And there were fewer exhibitors (about 900 vs. roughly 1,600 three years ago). But some things never change. Amazon Web Services, ARRI, Blackmagic, Quasar Science and Mo-Sys were among the notable companies touting cloud-based and virtual production solutions. And Sony Electronics wowed the crowd with a sprawling booth that featured its new Venice 2 digital cinema camera. Continue reading Cloud, Virtual Production Power New Workflows at NAB Show
By Paula Parisi
March 4, 2022
As the Renaissance was a reaction to the Dark Ages that preceded it, so too the entertainment industrial complex finds itself on the brink of a fruitful new era of technological and creative achievement triggered by COVID-19. The need for remote production has encouraged a cross pollination of new tools and techniques that will likely lead to significant change in the next era of media production. Roaring back to an in-person event in Rancho Mirage last week after hosting a virtual summit in 2021, the HPA Tech Retreat 2022 showcased the groundbreaking exchange between content-makers and tech providers. Continue reading HPA Tech Retreat: Bridge Between Creatives and Tech Firms
By Debra Kaufman
March 9, 2021
Feature film “Songbird,” directed by Adam Mason, is a thriller based on the COVID-19 pandemic. Shot last summer in Los Angeles, the production used new camera-to-cloud technology that enabled remote participation — including live feedback — by any crew member that couldn’t be on set. Cloud-based video review company Frame.io had been working on the concept, streaming footage from connected cameras over 4G or LTE to remote crew. The company’s C2C solution launches this month. “Songbird” co-producer Max Votolato dubbed it “like having a video village in your pocket.” Continue reading New Camera-to-Cloud Technology Available for Productions
By Rob Scott
March 9, 2011
Billed as “the world’s first camera-top wireless HD video encoder,” the Cube from Irvine, CA-based Teradek streams up to 1080p over Wi-Fi, Verizon 4G, and wired Ethernet.
The battery-powered H264 encoder sends video directly from a camera to a decoding device such as a laptop or iPad. The Cube is available in HD-SDI and HDMI models running in the $1500-2000 range, and is designed for those in the business of live streaming — or those looking for production solutions such as on-set video monitoring or eliminating the need for camera tethering.
To operate, the Cube slides into the camera’s hot shoe and goes live with a single button via Livestream.com. Gizmodo reports the process is “unhampered by firewalls, blocked ports, and other network roadblocks.”
Early adopters earn a month of Livestream.com premium membership (about a $350 value) with a Cube purchase.