RED Debuts Android Smartphone That Creates 4D Holograms

RED, the company known for its 4K Epic and Weapon film/TV cameras, just debuted a smartphone, the RED Hydrogen One, which will be offered by AT&T and Verizon. The Android phone, which has a 5.7-inch display, is, says the company, “the foundation of a future multi-dimensional media system.” The phone can connect to RED’s other cameras via pogo pins and, in the future, to lens mounts and other modules. RED’s first such module will be a DSLR-similar camera sensor. The phone also produces holographic images. Continue reading RED Debuts Android Smartphone That Creates 4D Holograms

Huawei P20 Pro: Triple Camera System Gets Strong Reviews

Huawei’s new P20 Pro, which features an AI-powered Leica triple camera system, has been ranked as one of 2018’s best Android phones. The new smartphone is also stylish, with the option of a Twilight glossy blue/purple finish. The 6.1-inch OLED screen offers an aspect ratio of 18.7:9 (it’s a little more than twice as tall as it is wide) and 2240×1080 resolution. But nobody in the U.S. will be able to buy the P20 Pro anytime soon, since AT&T pulled out of the partnership due to FCC concerns over potential spyware. Continue reading Huawei P20 Pro: Triple Camera System Gets Strong Reviews

Huawei P20 Pro Phone Features Three Rear-Facing Cameras

When Huawei briefed a team from Engadget on its new P20 Pro smartphone, it dubbed the device’s Leica Triple Camera system “the most advanced camera on a phone yet,” according to a recent review on the site. The team was skeptical, but in the end, they’ve come to write about the “miraculous photos this phone is capable of taking,” even though users may need patience as they figure out the many settings and controls. “You really have to pin down the shooting options that work for you,” according to Engadget.

Continue reading Huawei P20 Pro Phone Features Three Rear-Facing Cameras

Hands-On Reviews: Striking New Sony DSLRs and Mirrorless Digicams

  • Digital Trends takes four of Sony’s new digicams for a test drive — a pair of 24-megapixel DSLRs (the SLT-A77 and SLT-A65) and two compact mirrorless cameras (the NEX-5N and NEX-7).
  • The 3-day test period was conducted by recording more than 1,200 stills and dozens of short videos in rugged Southern California exteriors.
  • The review speaks highly of the DSLRs: “Sony really leaped ahead with this new pair by upping still resolution, the frame rate, video quality and incorporating a high-quality OLED viewfinder. Resolution is now 24.3 megapixels, the most of any consumer camera. Even with all the pixels, the A77 cranks off 12 frames per second at full resolution; the less expensive A65 does 10. Both also capture AVCHD Progressive movies, which are a beautiful 1080p resolution at 60 frames per second, rather than 1080i.”
  • In terms of cost: “The A77 costs $1,399 for the body only and is sold with an extremely sharp constant-aperture f/2.8 16-50mm lens for around $2,000. The A65 costs $999 with a more traditional 18-55mm lens. As a comparison, the 3.7 fps 18-megapixel Canon EOS Rebel T3i is $899 with an 18-55mm lens.”
  • Regarding the mirrorless cameras, Digital Trends comments: “Although the NEX-7 still requires a final production sample test, the early taste was quite fine. This could easily be the camera of the year given our hands-on experience. The buzz among the reviewers was pretty intense. As for the NEX-5N, although it’s a nice camera, it really paled in comparison to its big brothers and sisters.”
  • Pricing for the mirrorless models: “The NEX-7 has the high-quality finder built-in on the rear top left; the view is very good. We used the camera with an f/2.0 24mm prime lens, which added a cool $1,200 to the basic $1,149 price for the body. The NEX-7 will be sold with a cosmetically-matching black 18-55mm lens for $1,349. This outfit has a very Leica-like vibe and takes some pretty spectacular images… The NEX-5N has a 16-megapixel APS-C sensor (up from 14) and costs $699 with an 18-55mm kit lens.”