ETCentric contributors have recently submitted a number of interesting announcements related to high-end projectors for the home. The following are a few highlights:
Sony announced its VPL-VW1000ES with 4K resolution, 1,000,000:1 contrast ratio and 2,000 ANSI lumens of brightness that allows it to project on screen sizes up to 200-inches. “During the presentation Sony showed a 4K clip from its upcoming ‘Spiderman’ flick on a VPL-VW1000ES that looked every bit as beautiful as you might imagine,” reports Engadget. Price is rumored to be less than $25,000.
JVC is introducing a new line of home theater projectors that features e-Shift technology, which takes 2D HD content and upconverts and scales to a 4K signal (3840 x 2160) to display at “4K precision,” twice the horizontal and vertical resolution of Full HD. The projectors are also 3D-enabled with a 2D-to-3D converter derived from JVC’s professional 2D-to-3D converter and includes user adjustments for 3D depth and subtitle geometry correction. While Sony indicated its projector would be available for less than $25,000, Engadget reports “the top of the line JVC has an MSRP of just $12k, while the cheaper model will be $7,999 when they all ship in November.”
Epson’s new home theater projectors feature full HD, active shutter 3D, with 1080p resolution and Bright 3D Drive Technology, which drives the panels at 480Hz, essentially doubling the image refresh rate of 240Hz panels, up to 200,000:1 contrast ratio, up to 2,400 lumens of color and white light output — and enable viewing on larger screens and in a range of ambient light conditions. “The primary difference between the $4,000 6010 and $3,000 5010 (the wireless HD-equipped 5010e will run about $3,500) is the included accessories and options: like ceiling mounts, 3D glasses and additional lens modes,” reports Engadget. “The budget 3010 ($1,600) and 3010e ($1,800) models sport a more modest 40,000:1 contrast ratio and 2,200 lumen rating, but do have a pair of built-in 10W speakers.”
Panasonic’s new PT-AR100U home theater projector offers 1080p resolution, a 50,000:1 contrast ratio, and 2,800 lumens of brightness. “Panasonic even aims to make the PT-AR100U less fiddly than a typical projector, with a Light Harmonizer feature that senses ambient lighting and color and automatically adjusts the projector’s white balance, gamma, and sharpness to compensate,” indicates Digital Trends. Expect the projector to be available in October for under $2,000.
Belkin announced three new products this week designed to streamline home theater configurations and deliver HD content wirelessly.
The company’s new $250 ScreenCast AV 4 wirelessly connects up to four home theater devices (such as a Blu-ray player) to an HDTV via a transmitter connected to the device’s HDMI connection. The transmitter can locate AV equipment up to 100 feet away.
The ScreenCast AV 4 can transmit full-HD 1080p resolution, 3D video, and up to 5.1 channels of surround sound. “The included infrared emitter connects to the ScreenCast AV transmitter and relays the signal from your AV devices’ remote controls, allowing you to use the existing controllers, even when the devices are located in another room,” explains the press release.
In addition to its ScreenCast AV 4, Belkin has unveiled two other new products. “The company’s Universal HDTV Adapter and Universal Wireless AV Adapter, meanwhile, offer up wireless for TVs, making it possible to stream content with dual-band 2.4GHz and 5GHz,” reports Engadget. “The Universal Wireless HDTV Adapter offers up streaming for a single Internet-ready set, while the Universal Wireless AV Adapter works with up to four AV devices. Both are available this month, and will run you $79.99 and $99.99, respectively.”
Dr. Raymond Soneira of DisplayMate Technologies has concluded that current Passive 3D HDTVs provide a better viewing experience than Active Shutter technology, despite the lower retail price and seemingly less-advanced technology.
Dr. Soneira conducted extensive testing between four high-end 3D LCD HDTVs, two with Active Shutter glasses and two with Film Pattern Retarder (FPR) Passive glasses. (The findings are detailed in the Gizmodo post.)
According to Soneira, both technologies have their perceived strengths and weaknesses: “For Active Shutter Glasses the main issues are excessive flicker, image crosstalk and ghosting, insufficient brightness, problems with viewing comfort and cost of the glasses. For Passive Glasses the main issues are questioned resolution and sharpness, restricted viewing distances, angles and positions.”
However, following the shoot-out, Soneira concluded that “Passive Glasses TVs delivered substantially and demonstrably better all around 3D imaging, 3D contrast and sense of 3D depth, better 3D sharpness, better overall 3D picture quality, immersion and realism, and freedom from 3D ghosting, image crosstalk, and flicker.”
The debate over Passive vs. Active Shutter 3D technology has been ramping up since the introduction of Passive 3D, which has led to division within the industry and confusion amongst consumers. Currently, Samsung and Sony manufacture Active Shutter 3D TVs, while LG and Vizio make Passive 3D sets.
Turkish HDTV manufacturer Vestel has announced it would be the first to integrate BitTorrent software into its televisions, enabling European consumers easier access to expanded content offerings.
BitTorrent emphasized the deal does not allow easier access to pirated content, but enables “consumers to find, play and share all types of personal media, independently produced content and Internet files directly on their TV,” reports Home Media Magazine.
Shahi Ghanem, chief strategist at BitTorrent, said Vestel is a “good and early” example of his company’s push to be included on as many connected devices as possible, and added that by the 2012 Consumer Electronics Show, BitTorrent would be available on more CE devices.
However, there are detractors. “I do not believe this offering will get much attention from CE companies on this side of the ocean,” said an unnamed exec for a major electronics company. “Unlikely a CE company would be indemnified if the software was misused. Reminds me of Napster, [which] at one time facilitated piracy.”
BitTorrent is used by more than 100 million-plus global Internet users.
As part of its partnership with the Original iPhone Film Festival, Red Giant Software has dropped the cost of its $2.99 “Movie Looks HD” app for a limited time.
According to Hand Held Hollywood, the app will be available for free via Apple’s App Store from August 23-September 1.
Movie Looks HD is a universal app capable of adding a professional finish to iPhone footage, providing services such as color correction using multi-layer color grading.
“If you haven’t tried Movie Looks HD yet, it’s an awesome universal app, capable of adding a professional, film-like finish to your iPhone footage,” reports HHH. “If you’re familiar with Red Giant’s line of ‘Magic Bullet’ plug-ins, then you already know what I’m talking about.”
The Original iPhone Film Festival asks aspiring filmmakers to shoot, edit and upload films with an iPhone, iPod Touch or iPad 2 (the submission deadline is September 30). According to the festival’s site: “We’ve recruited a panel of experienced industry professionals from the worlds of advertising, film and television to watch what you come up with. They will pick their favorites and we’ll give away some cool prizes.”
Vision Research has unveiled its Phantom V1610 video camera that the company claims can shoot at one million fps.
Gizmodo points out that in order to shoot at the maximum frame rate, the resolution may suffer too much to be effective.
However, the in-between settings show promise: “You can shoot 1280×720 HD at 18,100, which is still extremely fast, and if you are willing to settle for a standard-def shot at 640×480 you can crank it all the way up to 43,400 fps, which I’m betting would look pretty amazing.”
According to the Vision Research site, the camera can acquire and save up to 16 gigapixels-per-second of data with its proprietary widescreen CMOS sensor. “That means at its full megapixel resolution of 1280×800, you can achieve 16,000 frames-per-second. At reduced resolutions, the v1610 offers frame rates of 650,000 fps.”
Be sure to watch the video demo included in the Gizmodo post.
The new Elite brand of premium LCD TVs is the result of a collaboration between Pioneer and Sharp.
Two LED-based LCD models (60- and 70-inch) are 3D, THX certified, claim a refresh rate of greater than 240Hz and feature full-array backlighting instead of edge lighting. They also feature online services such as CinemaNow, Netflix, VUDU and YouTube.
Elite TVs include a yellow sub pixel with the standard red/blue/green, that when added together, creates more than 8 million dots on the screen.
“But the feature that the company is most hyping is something called Intelligent Variable Contrast,” reports Electronic House. “Found only on the new Elite TVs, it automatically controls both the brightness and backlight to enhance color depth, brilliance and detail in dark areas.”
The 3D Elites will ship with active shutter glasses — MSRP of $5,999 for the 60-inch model and $8,499 for the 70-inch.
Philips announced it will be including streaming set-top and gaming functions in some of its new HDTV sets.
The Philips 4000 and 5000 series, which use the CloudTV platform of ActiveVideo Networks, can access cloud-based games streamed as MPEG files.
Both lines will include Philips MediaConnect, that enables wirelessly connecting the TV and PC.
Other features include NetTV (offering services such as Netflix, VUDU, Facebook, Film Fresh, Pandora and Twitter), V-tuner Internet radio and built-in Wi-Fi support.
The 4000 series features six screen sizes, ranging from 19 to 55 inches, while the 5000 series adds another 10 screens, from 40 to 55 inches.
Panasonic has announced its first full HD home theater projector that also handles 3D content.
The PT-AE7000U features a dual core image processor and 3D IR transmitter to sync up 3D shutter glasses (sold separately).
Digital Trends reports: “The PT-AE7000U is also the world’s first 3D projector with 480Hz transparent LCD panels, and the unit sports a new optical engine that offers contrast ratios of up to 300,000:1, along with 2D-to-3D conversion modes that processes 2D content with 3D stylish, with five different 3D effects modes.”
“The PT-AE7000U’s key 3D projection technologies were developed in collaboration with Panasonic Hollywood Laboratory engineers who are heavily engaged in the authoring and mastering of 3D Blu-ray discs,” explained Panasonic’s Art Rankin in a statement. “Through this joint effort, the PT-AE7000U has been redesigned from the ground up to achieve higher basic 2D performance and is packed with unique 3D features to deliver studio-grade 3D content to the consumer.”
The projector is expected to hit shelves by September, although the average consumer may not be ready for the $3,499 price tag.
Logitech’s LifeSize division — headquartered in Austin, Texas — is looking to the cloud in an effort to extend its videoconferencing reach.
The company is introducing the $1,499 LifeSize Passport Connect, a new videoconferencing system that integrates with the company’s cloud-based LifeSize Connections service.
The high-defintion endpoint system is built around a Logitech webcam and is priced below other LifeSize end systems.
Logitech also announced it has acquired Italian mobile video company, Mirial, which offers videoconferencing clients for PCs, Macs, and an array of mobile devices such as Android tablets, iPads and iPhones.
The company plans to integrate Mirial’s clients into LifeSize Connections.
This week Sony launched “3D Experience” for its Bravia line of 3D-capable LCD TVs. The free service offers 3D trailers, promotional video clips and trial content.
The company hopes that 3D Experience will serve as a step forward in providing consumers with interesting 3D content, the lack of which has been a common complaint.
Initial content includes “The Green Hornet” trailer, highlights from the FIFA Women’s World Cup and clips from 3net, Sony, Discovery and IMAX.
Sony pledges to “further expand the content line-up and promote ‘3D Experience’ among content holders as a forum through which to showcase their 3D offerings.”
3D Experience is currently available in the United States, Canada, Germany, the UK and France.
The annual iTunes Festival kicked off Friday in England, streaming select performances live in HD to iPads and iPhones for those who downloaded the free app.
The event is scheduled for 31 consecutive nights at the Roundhouse in London.
Paul Simon was the first artist to take the stage. Additional headliners include Coldplay, Linkin Park, My Chemical Romance, Foo Fighters, Jimmy Eat World, Moby and more.
Apple funds the event by recording the live sets and selling them exclusively on iTunes.
Wired suggests an alternative business model: “But it makes me wish more festival organizers would do this the other way around — free recordings of the gigs you paid to see at festivals. Or perhaps a handful of free tracks to choose from an entire festival’s lineup, with the complete collection put on sale. There’s no better live recording than one created during the night you attended.”
Videogaming events today attract hundreds of thousands of simultaneous streaming video viewers.
A recent “League of Legends” competition drew more than 200,000 simultaneous viewers, according to game provider own3D.tv (the Austria-based company has more than four million unique viewers per month).
95 percent of the viewers watch in HD.
Early numbers suggest this is a global trend (only 15-18 percent are U.S. viewers).
Others are getting on board; live streaming provider Justin.tv created TwitchTV to offer e-sports as a live sporting event.
SMPTE recently held its 3D Conference for Media and Entertainment in New York City.
One significant outcome resulted from scientists who are studying how the brain processes visual images.
They suggest that Hollywood needs an improved academic understanding of stereoscopic 3D to avoid making viewers uncomfortable.
It was recommended that content creators and vision scientists get together to evaluate different demographics, 2D-to-3D conversion, potential harmful effects, eye fatigue and much more.
“The problem is that we’re looking at this from a top down perspective instead from the bottom up. With HDTV, it took us more than 20 years to get the science right. Here [with 3D] we’re starting with the screen and working backwards. That doesn’t seem right,” suggested Joseph Flaherty, senior VP of technology at the CBS Network.
