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Warner Goes Retro with Streaming Archive Instant Service

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April 5, 2013

The just-launched Warner Archive Instant is taking a different approach than that of subscription streaming services like Netflix and Amazon Prime. Instead of vying to offer viewers the most recent content, it aims to feed the nostalgia within us all, providing a catalog of rare older films and television shows from Warner’s own history, in addition to selections from MGM, RKO, New Line, Lorimar and Allied Artists, all for $9.99 a month. Continue reading Warner Goes Retro with Streaming Archive Instant Service

Digital Downloads: Kaleidescape Plans to Offer Time Warner Movies

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December 13, 2012
  • Kaleidescape Inc. originally looked to reduce the hassle of physical DVDs and Blu-ray discs by enabling consumers to copy the movies and save them to a hard drive. After being sued by the DVD Copy Control Association, the company has since revamped its business model to keep up in the digital age of downloads.
  • “The closely held company plans to let users of its hardware buy and download digital movies, while still being able to make and store copies of DVD and Blu-ray discs they own,” the Wall Street Journal writes. “Kaleidescape is initially stocking its first online store with movies licensed under a multiyear deal with Time Warner Inc.’s Warner Bros. movie studio.”
  • With numerous services that offer movies for rental, purchase or streaming, Kaleidescape is notably pricey.
  • “Kaleidescape’s systems, designed for people installing fancy home theaters, start at $14,490,” the article states. “But Kaleidescape hopes to build its audience among affluent customers who are willing to pay extra for the highest quality content, a sophisticated program guide and other features. Unlike most online video stores, the company says, its downloads will include all extra scenes and additional content found on DVD or Blu-ray discs.”
  • The deal with Time Warner provides the service with 3,000 feature films and more than 8,000 TV episodes, which will be priced between $6 to $20. Kaleidescape plans to enter licensing deals with other studios as well.
  • The company also supports the UltraViolet format. But downloading titles can take a while — up to five hours for a Blu-ray over a standard Internet connection.

From Reddit Comments Thread to Screenplay to Warner Bros. Movie

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October 18, 2011
  • A short story originally posted as a series of comments on social news site Reddit will become the basis for a Warner Bros. feature film.
  • “Rome, Sweet Rome” is an historical sci-fi tale written by James Erwin, a two-time “Jeopardy!” winner.
  • Erwin (as Prufrock451 on Reddit) was responding to another user who asked the community, “Could I destroy the entire Roman Empire during the reign of Augustus if I traveled back in time with a modern U.S. Marine infantry battalion or MEU?”
  • The posts Erwin subsequently composed as a short story became the top-rated comments on Reddit and “inspired fan-art, fiction spin-offs and even a mock-up movie trailer.”
  • Madhouse Entertainment caught wind of the RsR subreddit community and pitched the story to a Warner Bros. exec, who pushed to “move aggressively” to acquire the rights.

Miramax CEO Believes Hollywood Needs Effective Strategy for UltraViolet

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October 7, 2011
  • According to Miramax CEO Mike Lang, the future of the home entertainment industry and movie production rests in cloud-based digital locker UltraViolet.
  • Warner Home Video and Sony Pictures Home Entertainment are among the studios rolling out sellthrough titles this fall, which are capable of being stored on UltraViolet and then played on various compatible devices.
  • “As an industry, we really have to believe it,” Lang said in a Q&A session at MIPCOM in Cannes. “We really don’t have choice. If the home entertainment business as we know today, in terms of the transaction business, goes away, that’s not good for anyone in this room.”
  • “Lang said failure to reinvigorate the sellthrough model could adversely affect studios’ ability to finance movies going forward,” explains The Hollywood Reporter. “Sales of DVD/Blu-ray Disc/electronic sellthrough movies have historically affected whether a title was profitable or not.”
  • Lang suggests the digital transaction model has not always been clear to consumers, especially in terms of compatibility with all the available devices and different ecosystems. He points out that Netflix has been so successful due to its ease of streaming on multiple devices such as Blu-ray players and game consoles.
  • The Miramax exec believes the studios need to partner with tech companies and retailers moving forward to develop a cohesive strategy. “I don’t know how many people use photo sharing software, but that is 90 percent cloud-based,” he said. “Ninety-five percent of the software industry in the world is now through cloud-based transactions. I’m hopeful that the movie business gets there.”

Microsoft: Xbox Video Service Features Voice and Motion Controls

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October 7, 2011
  • Microsoft is getting a boatload of new content for its Xbox video service intended to help it serve as a digital media hub. The company has struck deals with Comcast, Verizon, HBO and others.
  • Verizon and Comcast will be joining AT&T’s U-Verse to provide content, although while Verizon will include live video TV and video on demand, Comcast is testing the waters with its VOD library only. HBO Go streaming access will provide HBO original programming and movies from Warner Bros., Fox Searchlight and Universal Studios. Bravo, EPIX and Syfy are among the cable networks that will be available. Xbox’s international content will include the BBC, Channel 4, Channel 5 and LOVEFiLM in the UK; Antena 3, RTVE and Telefonica in Spain; and Televisa in Mexico.
  • But how do you get to the movies, TV shows, games and music that you want? Microsoft hopes you will command your Xbox with voice control, motion control and a Windows smartphone.
  • “This is incremental stuff but it’s still interesting. A source who’s played with the new service says it’s genuinely cool. Just as important, given that Microsoft has sold some 50 million compatible machines, it has (potential) leverage to do some really interesting stuff,” reports All Things D. “This is where Google TV would like to be, and it’s why Google is out pitching content guys for a relaunch this fall.”

Music Integration: Will Facebook Become an All-In-One Social Media Hub?

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September 1, 2011
  • Facebook has informed media executives that it will begin allowing online music services such as Spotify and Rdio to publish user activity on Facebook pages and could allow music playback without leaving the site.
  • The announcement is part of Facebook’s efforts to become a social center for media including music, games and movies.
  • According to The Wall Street Journal: “CNBC reported Wednesday that Facebook was working to create a music platform. In response, Facebook said: ‘Many of the most popular music services around the world are integrated with Facebook and we’re constantly talking to our partners about ways to improve these integrations.'”
  • Facebook was reportedly encouraged to pursue the music plan following success with social games such as “FarmVille” by Zynga Inc. The social media site is also integrating movies through deals with the likes of Warner Bros.

BBM Music Service: Too Little, Too Late?

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August 22, 2011
  • Research In Motion may roll out BBM Music, a new music service designed to work with BlackBerry Messenger, as early as this week.
  • RIM has nearly completed deals for the service with Vivendi SA’s Universal Music Group, Sony Corp.’s Sony Music Entertainment, Access Industries Inc.’s Warner Music Group, and EMI Group Ltd.
  • Subscribers would only get access to 50 songs but they can share them with other Blackberry Messenger users.
  • The service will reportedly cost less than $10/month and is not intended to compete with the likes of iTunes or Spotify. “Instead, the BlackBerry service is supposed to help younger users ‘customize’ their phones and share their songs with friends.,” reports The Wall Street Journal.

Warner Bros. Rolls Out Flixster Collections Video Service this Week

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August 5, 2011
  • Time Warner CEO Jeff Bewkes announced the availability of Flixster Collections, a social movie portal that went into public beta this week.
  • The service, a revamped version of the Flixster product acquired earlier this year, encourages users to share what they’ve watched with friends.
  • If there’s something you want to see, for example, Flixster directs you back to Amazon, iTunes, Hulu and Netflix (as well as your hard drive, if you let it). There are also links for theatrical films, including reviews, trailers and ticketing services.
  • “You can also imagine how this will tie in to Ultraviolet, the cloud/locker system for video that Warner and a big coalition of movie studios and tech companies (except for Apple and Amazon) are pushing,” writes Peter Kafka in All Things D.
  • So far, Flixster Collections is available for PCs and Macs, but no mobile app yet.

Is Facebook Poised to Become THE Social Entertainment Operating System?

By
May 31, 2011

It seems we cannot escape ongoing speculation in recent weeks surrounding the potential impact of a collaboration between social networking giant Facebook and European music service Spotify. Whether you subscribe to the opinion that such a partnership will change the face of music discovery, distribution and consumption — or you agree with Peter Kafka who wrote in WSJ’s All Things D that the deal would simply “be a nice feature for Facebook and a nice promotional outlet for Spotify” that would merely provide “limited amount of free music, and the option to upgrade to a paid subscription” — the bigger issue involves the direction of online social media and Facebook’s ultimate role.

If the Spotify deal serves as a stepping stone for Facebook’s involvement with other forms of media — music, movies, games, news, video, etc. — the social networking site may be on its way to serving as much more than a way for “friends” to share information and photos. It could become a powerful online hub for media distribution.

When Facebook’s Mark Zuckerberg took the stage at the e-G8 Forum in Paris last week he explained (again) that he has no interest in becoming the CEO of an entertainment company. However, increased integration between Facebook and entertainment media is clearly in Zuckerberg’s sites.

In March, Warner Bros. became the first Hollywood studio to offer movie rentals directly on Facebook, starting with The Dark Knight; Netflix has reportedly been discussing with Facebook the possibility of integrating social networking tools; Facebook began allowing third-party developers to offer games on its site four years ago (since then, social-gaming companies like Zynga have become among the largest in the industry); and now the deal with Spotify may help extend media integration. ZD Net reports that four months ago, “Spotify signed an agreement with Sony Music Entertainment, and three months ago, it struck a deal with EMI Music. The company thus has two of the four major music labels; the other two are Universal Music Group, the world’s biggest label, and Warner Music Group.” The Spotify/Facebook deal could lead to competition with streaming and cloud-based music services.

As the trend of electronically sharing thoughts and interests continues to grow amongst consumers of all ages, it makes sense that the leading social networking site would be poised for successful integration with the media people regularly discuss. In doing so, Facebook (which currently has nearly 700 million users) may become the ubiquitous entertainment layer of the Internet. At the very least, it may help serve as an EPG of sorts for media.

“Listening to music is something people do with their friends,” Zuckerberg said in France. “Movies, TV, news, books — those types of things are things I think people just naturally do with their friends. I hope we can play a part in enabling those new companies to get built, and companies that are out there producing this great content to become more social.”

Related Wall Street Journal article: “Chill Out! Spotify on Facebook Is Cool, Not a Game Changer” (5/25/11)

Related GigaOM article: “Amidst Spotify Rumors, Facebook CEO Talks Music and Media” (5/25/11)

Related Bloomberg article: “Facebook’s Zuckerberg Says Music, TV Are Social Frontiers” (5/25/11)

Related ZD Net article: “Rumor: Facebook is partnering with Spotify” (5/25/11)

Related TechCrunch article (including Spotify slides): “Behind The Scenes: Making Spotify More Convenient Than Piracy” (5/30/11)

Related Forbes article: “Facebook To Launch Music Service With Spotify” (5/25/11)

Related New York Times article: “Facebook Is Developing Ways to Share Media” (5/26/11)

Related ETCentric story: “Spotify Launches Music Download Store and iPod Syncing” (5/13/11)

Apple Close to Launching Cloud-Based Music Service

By
May 22, 2011

Earlier this month, ETCentric reported that Apple has been planning a cloud-based music locker service that will enable its customers to stream music to smartphones, tablets or computers. As progress continues regarding deals with the major music labels, the new service may launch sooner than originally reported — with rumors speculating possibly as soon as June 6 in San Francisco at the Apple Worldwide Developers Conference (WWDC 2011).

The Apple proposal is different from Amazon’s recent Cloud Drive rollout and Google’s Music locker service (the beta for which was announced at Google I/O). As reported, Apple is seeking paid licenses from the labels for its service (Amazon and Google launched their services without gaining such approval). Bloomberg reports that Apple has reached agreements with three of the major labels (Sony, EMI and Warner) — with Universal Music Group close to a deal.

By jumping the gun, Amazon and Google may have helped Apple position itself to take the lead in this arena. As TechCrunch reports: “So the labels, which for the better part of a decade now have been looking for someone, anyone to help counter Apple’s power in their business, is turning right back to Apple when they need help. And Apple will obviously gladly welcome them with open arms. After all, with these licenses, Apple will have secured the cloud music high ground despite being the last to launch. Think about it. With these agreements, Apple is likely going to be able to do the one thing that is absolutely crucial for cloud music to take off: offer library syncing without uploading.”

Plus, Apple has the benefit of an existing consumer base, with 200 million people who already have iTunes accounts. There has also been speculation that the cloud music service may be integrated with a revamped version of MobileMe, Apple’s subscription-based collection of online services and storage.

CNET raises two interesting points:

1. There’s no doubt who the top-four record companies are pulling for in the cloud music wars. They hope Apple’s service makes the other two guys look shabby by comparison. The thinking is that if Apple’s service eclipses those of its rivals, it will prompt Amazon and Google to pay the labels’ licensing rates.

2. What nobody has proven yet is whether consumers even want the cloud. CNET has reported that Apple is likely to charge a subscription fee eventually for its cloud service. Subscription music services, such as Rhapsody, have a spotty record at attracting audiences.

Related TechCrunch article: “Google And Amazon May Have Just Handed Apple The Keys To The Cloud Music Kingdom” (5/18/11)

Related Wall Street Journal article: “For a Song, Online Giants Offer Music in a Cloud” (5/19/11)

Related Patently Apple article: “Whoa! Apple Patent Confirms iTunes Cloud Media Services” (5/19/11)

Related CNET article: “Exclusive: Apple near cloud-music deals” (5/18/11)

Related TechCrunch article: “Without The Labels, Google’s Music Locker Service Will Look Like Apple’s Ugly Sibling. Again.” (5/9/11)

Warner Bros. Ramps Up Digital Everywhere with Flixster Acquisition

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May 9, 2011

Warner Bros. Home Entertainment Group announced it has acquired social movie discovery site Flixster, which also includes premium movie reviews and news site Rotten Tomatoes (that Flixster acquired from News Corp. last year). Financial terms were not disclosed, but The Wall Street Journal recently cited Flixster’s value between $60 million and $90 million. The Flixster deal marks the next step in Warner’s “Digital Everywhere” strategy.

As recently reported on ETCentric, Warner Bros. plans to release its Digital Everywhere app by this summer with hopes that the app will serve as the ultimate destination for purchasing all digital movies. The app gathers the ways a consumer can rent or purchase movies and organizes an individual’s library of movie titles and TV programs. It then provides access to this library from any Internet-connected device through the UltraViolet cloud authentication system.

According to TechCrunch: “Flixster’s popular cross-platform movie discovery application on mobile platforms has seen 35 million downloads to date and Rotten Tomatoes is seeing 12 million unique visitors per month. The Flixster and Rotten Tomatoes will remain fully independent, says Warner and the Flixster team will stay in San Francisco and the Rotten Tomatoes team will continue to work autonomously in Los Angeles.”

Related Warner Bros. press release: “Warner Bros. Home Entertainment Group to Acquire Flixster” (5/4/11)

Related Wall Street Journal article: “Flixster Update: Warner Bros. Very Interested, as Yahoo Drops Out of Bidding for Social Movie Site” (3/28/11)

Related Wall Street Journal article: “Warner Bros. Expands Test of Movies on Facebook” (3/28/11)

Warner Bros. Looks to Facebook for Movie Rentals

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March 9, 2011

Looking for a new distribution channel in the face of decreasing DVD sales — and new ways to leverage increasing consumer time spent online — Warner Bros. Entertainment announced it will start renting movies via the popular social networking site Facebook. The first offering will be the 2008 Batman hit, “The Dark Knight.” The choice was based largely on the fact that the film has already been “liked” by 3.9 million Facebook users.

The studio created the rental application independently of Facebook, so the films will be hosted and streamed by a third party.

According to comScore, Facebook was the sixth-most popular video site in the U.S. in January. Despite its growing popularity for streaming video, Facebook has not announced any plans to launch its own paid video service.

Some analysts responded to the news that Facebook could become a serious competitor for Netflix and other online video services.

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