ETCentric contributors have recently submitted a number of interesting announcements related to high-end projectors for the home. The following are a few highlights:
Sony announced its VPL-VW1000ES with 4K resolution, 1,000,000:1 contrast ratio and 2,000 ANSI lumens of brightness that allows it to project on screen sizes up to 200-inches. “During the presentation Sony showed a 4K clip from its upcoming ‘Spiderman’ flick on a VPL-VW1000ES that looked every bit as beautiful as you might imagine,” reports Engadget. Price is rumored to be less than $25,000.
JVC is introducing a new line of home theater projectors that features e-Shift technology, which takes 2D HD content and upconverts and scales to a 4K signal (3840 x 2160) to display at “4K precision,” twice the horizontal and vertical resolution of Full HD. The projectors are also 3D-enabled with a 2D-to-3D converter derived from JVC’s professional 2D-to-3D converter and includes user adjustments for 3D depth and subtitle geometry correction. While Sony indicated its projector would be available for less than $25,000, Engadget reports “the top of the line JVC has an MSRP of just $12k, while the cheaper model will be $7,999 when they all ship in November.”
Epson’s new home theater projectors feature full HD, active shutter 3D, with 1080p resolution and Bright 3D Drive Technology, which drives the panels at 480Hz, essentially doubling the image refresh rate of 240Hz panels, up to 200,000:1 contrast ratio, up to 2,400 lumens of color and white light output — and enable viewing on larger screens and in a range of ambient light conditions. “The primary difference between the $4,000 6010 and $3,000 5010 (the wireless HD-equipped 5010e will run about $3,500) is the included accessories and options: like ceiling mounts, 3D glasses and additional lens modes,” reports Engadget. “The budget 3010 ($1,600) and 3010e ($1,800) models sport a more modest 40,000:1 contrast ratio and 2,200 lumen rating, but do have a pair of built-in 10W speakers.”
Panasonic’s new PT-AR100U home theater projector offers 1080p resolution, a 50,000:1 contrast ratio, and 2,800 lumens of brightness. “Panasonic even aims to make the PT-AR100U less fiddly than a typical projector, with a Light Harmonizer feature that senses ambient lighting and color and automatically adjusts the projector’s white balance, gamma, and sharpness to compensate,” indicates Digital Trends. Expect the projector to be available in October for under $2,000.
Market research firm Pacific Media Associates estimates that approximately 185,000 3D-ready projectors will be sold to U.S. schools (grades K-12) this year, which would be more than double the number sold last year.
“Schools are trying to keep up with the multiplex, keen to find ways to engage students in an age of 3D movies and gadgets that make traditional classroom materials look dated,” reports The Wall Street Journal. “And the technology and equipment makers are eager to create a new market for their 3D products.”
Teachers who are 3D proponents find that introducing 3D experiences in the classroom are beneficial in explaining a wide range of topics from understanding what cartilage in a skeletal system looks like to how math works in real life. “You don’t want to turn away because you don’t want to miss anything,” said one middle school student of the approach.
It should came as no surprise that younger generations are drawn to 3D, the iPad and mobile devices, but despite new technologies interactive teaching techniques remain the key. This makes 3D technology different in the classroom than it is in the multiplex. “Anyone can watch 3D, but you need to interact with it to really learn,” says James Mayrose, associate professor at Buffalo State College and chief executive of Tactus Technologies Inc., a company that offers a 3D dissectible-frog program.
Early studies indicate 3D projection dramatically increases test scores, and it is interesting to note that, unlike TVs, many 3D-ready projectors typically cost the same as regular projectors ($600-800).
According to WSJ, some schools are evaluating budgets while some are “waiting for more 3D materials that are in compliance with testing and graduation standards.” The article also points out that “few if any of the leading academic publishers, including Pearson PLC and McGraw-Hill Cos., have created their own stereoscopic course material, but Texas Instruments’ DLP says it is currently in discussions with various publishers.”
ETCentric staffer Phil Lelyveld suggests this is a potentially huge market for monetization and marketing opportunities.
Just in time for the fall premiere season, NBC has updated two of its iPad apps. The network has enabled its NBC app to stream full episodes and has added new social features to its NBC Live second screen app.
The new NBC Live additions are based on lessons the network has learned about how viewers have been using the app.
They noticed, for example, that different shows (scripted, reality and live TV) produce different viewer interaction, which has helped the network decide which shows to focus on inside the app for the new season.
People expect to share comments on Facebook and Twitter, and log in via either service (features that have been added to the app).
Some users prefer if content and interaction (such as slideshows, video and polls) did not interrupt the app conversation, so the interface has been improved. They also found that during “The Voice” last season, fans wanted to vote for contestants via the app just like they could on NBC.com.
Vivi Zigler, president NBCUniversal Digital Entertainment says that there’s “an elegance” to building an app with a specific purpose.
As for whether NBC is considering TV Anywhere authentication like Fox, “at this point, it’s not part of the plan,” she said, explaining that NBCU’s distribution arm has been examining that approach.
The new TiVo Premiere Elite quad tuner DVR will allow users to record four shows simultaneously, while watching a fifth.
The device will reportedly only record from digital cable and Verizon FiOS, says Gizmodo.
“The THX-certified box uses the TiVo Series4 guts, has a 2 terabyte hard drive (~300 hours of recording space) and spits out video at up to 1080p resolution,” according to Gizmodo. “Plus, it has the standard array of outputs for connecting your TV (HDMI, Component, Composite, Optical audio, RCA audio). And of course, services such as Hulu, Netflix, Pandora and YouTube are also available.”
TiVo’s press release suggests the DVR will serve as an entertainment hub with “its ability to send content to other TiVo devices in the home, or integrate seamlessly with home automation remotes. TiVo Premiere Elite offers MoCA as a networking option in addition to its integrated Ethernet connectivity. By integrated MoCA support, custom installers can use the coaxial cabling within the home to connect the TiVo Premiere Elite to the home network in setups where an Ethernet connection is not available.”
Belkin announced three new products this week designed to streamline home theater configurations and deliver HD content wirelessly.
The company’s new $250 ScreenCast AV 4 wirelessly connects up to four home theater devices (such as a Blu-ray player) to an HDTV via a transmitter connected to the device’s HDMI connection. The transmitter can locate AV equipment up to 100 feet away.
The ScreenCast AV 4 can transmit full-HD 1080p resolution, 3D video, and up to 5.1 channels of surround sound. “The included infrared emitter connects to the ScreenCast AV transmitter and relays the signal from your AV devices’ remote controls, allowing you to use the existing controllers, even when the devices are located in another room,” explains the press release.
In addition to its ScreenCast AV 4, Belkin has unveiled two other new products. “The company’s Universal HDTV Adapter and Universal Wireless AV Adapter, meanwhile, offer up wireless for TVs, making it possible to stream content with dual-band 2.4GHz and 5GHz,” reports Engadget. “The Universal Wireless HDTV Adapter offers up streaming for a single Internet-ready set, while the Universal Wireless AV Adapter works with up to four AV devices. Both are available this month, and will run you $79.99 and $99.99, respectively.”
ESPN has announced an eight-year extension of “Monday Night Football” that includes 3D broadcast rights, expanded NFL studio programming, highlight rights for TV and ESPN.com, continued Spanish language rights, the Pro Bowl, the NFL Draft, and rights to simulcast network coverage on tablet devices through the WatchESPN app.
The deal, which runs from 2014 to 2021, “should help quell ideas that ESPN 3D might be axed after its removal from U-verse,” suggests Engadget.
According to the press release: “The extensive package of NFL rights will fuel the continued growth of ESPN year-round, boosting its core television business while at the same time supporting the company’s ‘best available screen’ strategy with NFL programs on TV, online and on mobile devices via authentication and digital rights.”
The agreement will also lead to “Monday Night Football” celebrating its 50th anniversary season on ESPN in 2020.
FilmFunds, a new venture launching this week at the Toronto International Film Festival, will use a crowdsourcing approach to help determine whether a film or TV show would draw an audience.
FilmFunds’ test group of some 60 million moviegoers will review synopses, trailers, artwork and other marketing materials and vote whether to “Like” a project. The results can help put a project into production and get it completed, distributed and marketed.
According to Variety: “Site divides projects into three categories — materials of projects members can help put into production, completed projects member votes can help get finished or distributed, and a marketing portal where studio pics can gain support and members can recruit friends and pre-sell tickets through websites like Fandango.”
A FilmFunds mobile app provides more information after a user takes a snapshot of a poster, trailer or film title.
The article also references Emotional ID, which “translates real-time facial reactions and emotions during test previews into measurable results.”
The FilmFunds site allows users to enter as a Filmmaker (“Get your projects seen and potentially produced”) or a Fan (“Promote projects and interact with filmmakers”).
According to the site: “FilmFunds enables you to choose what you want to see and then we get it made. Our connections in the industry finalize deals but your vote is the catalyst. The more you participate the bigger the rewards. A few ‘suits’ used to call all the shots. FilmFunds puts YOU in charge. We’re just here to help!”
This fall’s TV season may see some shifts in terms of viewership numbers, due in large part to media technology trends, suggests Variety.
As TVs continue to become connected to the Web via Blu-ray players and gaming consoles in more homes, the technology may impact viewing habits and not turn out to be as positive for TV programming as originally envisioned by the industry.
New research from Knowledge Networks suggests users may use their Web-connected TVs to perform other online activities before getting around to watching programming. Variety points out that online access to TV content also provides “the option of using a full-sized TV screen for all sorts of activities and functions previously associated with a computer, from perusing photos to long-distance chatting with relatives to playing games or frequenting chat rooms.”
The article poses a compelling question: “So do programmers have a new threat — one where using the TV doesn’t mean actually watching their content?”
Dish is expected to introduce a streaming movie service under its Blockbuster brand next month. The move will introduce a competitor to Netflix and coincide with that company’s recently announced price increase.
When Dish acquired Blockbuster’s assets in April for $320 million, it received content rights that it has sought to beef up through discussions with the studios.
“This ought to begin changing the way investors think about Dish,” said Ryan Vineyard, an analyst at RBC Capital Markets. “It goes from being an old-school pay-TV company to launching what could be a really high-growth business.”
Dish currently ranks as the second largest U.S. satellite-TV provider behind DirecTV.
Netflix walked away from another deal with Starz after that company insisted on a tiered-pricing model similar to what they would get with a cable channel. Netflix did not want to tamper with the simplicity of its monthly fee model.
Netflix had reportedly offered Starz more than $300 million per year to renew their agreement.
With the demise of the Starz deal, Netflix customers may feel that they are paying more and getting less. Still, Netflix counters that their Starz content accounts for only 5-6 percent of domestic viewing.
Netflix will be challenged by competitors like Hulu, Amazon, Apple and Microsoft XBox Live. Moreover, cable companies are increasingly offering similar access to video through TV Anywhere services.
Starz may either sell its content to a Netflix competitor or try and create its own streaming brand like HBO.
As the bidding war for Hulu continues, Financial Times reports that Yahoo, Amazon and Dish Network are all expected to offer near 2 billion dollars for the company, its subscription service and the rights to exclusive content for at least two years.
However, Google is rumored to have proposed a significantly higher bid for an acquisition proposal on a larger scale. Details have not been released, but some speculate that Google may offer a couple billion dollars more in exchange for more content for a longer period of time. It is not clear if the Google proposal includes a longer deal for content or possibly something else — or if Hulu would even be interested in a new plan.
According to The Wall Street Journal: “Since that’s not what Hulu’s owners have put on the table, ‘normally we would have thrown people out if they’d said that,’ says an executive familiar with the sales process. But Google ‘indicated that there’s enough money’ involved so that Hulu’s owners are at least thinking about continuing the discussion.
The video site would fit nicely with Google’s YouTube, which has struggled in landing the type of long-form premium content that Hulu owns. And if rumors are accurate, Google is willing to pay.
But would the content owners agree to terms with Google, which is already the largest video website worldwide, when they were earlier holdouts on Google TV?
Turkish HDTV manufacturer Vestel has announced it would be the first to integrate BitTorrent software into its televisions, enabling European consumers easier access to expanded content offerings.
BitTorrent emphasized the deal does not allow easier access to pirated content, but enables “consumers to find, play and share all types of personal media, independently produced content and Internet files directly on their TV,” reports Home Media Magazine.
Shahi Ghanem, chief strategist at BitTorrent, said Vestel is a “good and early” example of his company’s push to be included on as many connected devices as possible, and added that by the 2012 Consumer Electronics Show, BitTorrent would be available on more CE devices.
However, there are detractors. “I do not believe this offering will get much attention from CE companies on this side of the ocean,” said an unnamed exec for a major electronics company. “Unlikely a CE company would be indemnified if the software was misused. Reminds me of Napster, [which] at one time facilitated piracy.”
BitTorrent is used by more than 100 million-plus global Internet users.
Consent from the U.S. Department of Justice for the Comcast-NBCUniversal merger has been approved, but with a new condition.
Comcast purchased 51 percent of NBCUniversal from General Electric in January, creating a $30 billion business that includes broadcast, cable networks, movie studios and theme parks.
At that time, the Department of Justice said Comcast could acquire NBCUniversal only if it ceded control of Hulu and made stand-alone broadband service available at $49.95 per month for three years, but the settlement still required final approval.
Last week, Judge Richard Leon delivered final approval, but stipulated that the federal government would monitor whether rival online video services, such as Hulu or Netflix, demand arbitration to license content from Comcast-NBCU for the next two years.
The ability of rivals to obtain programming was one of the key concerns of the DOJ and the FCC during reviews of the merger.
“Since neither the Court nor the parties has a crystal ball to forecast how this Final Judgment, along with its arbitration mechanisms, will actually function … I believe that certain additional steps are necessary,” Leon said in a court order.
Toshiba announced its new flagship 3D TV, the ZL2 series, which offers glasses-free 3D, 4096 x 2160 resolution, upscaling of low-res to high-res 3D, and facial recognition used to customize viewing angles.
The TV uses lenticular “lenslets” that can be modified for up to nine different viewing angles.
Check out the article for the author’s impression after watching 3D on the ZL2. Introduction: “I got a chance to watch the TV’s 3D mode in action, and it’s pretty great. It’s not magical, however. Instead of the typical dimming of shutter-based 3D TVs, it feels like you can see the black lines dividing the pixels. It’s not that the picture is actually low resolution, however, there’s still plenty of detail on screen, it just happens to ‘show the seams’ more than I’d like. It’s very pleasant to watch, and I didn’t get a 3DS headache or any nausea.”
The ZL2 is not for everyone: current pricing of the 55-inch model is equivalent to $11,424 U.S. dollars.
As earlier reported on ETCentric, CE controls may soon be based on gestures rather than directional buttons, creating a more “natural” experience that could potentially change the way viewers interact with media.
The motion-sensing technology for Nintendo’s Wii and the Kinect module for Microsoft’s Xbox 360 is advancing to remote controls for other consumer electronics, including the TV.
For example, Hillcrest Labs has unveiled a portfolio of products targeted at applications in computers, game consoles, industrial automation, mobile phones, robotics and TVs.
Hillcrest has released its Motion Engine and Sensor Modules for hardware products, and the its new Scoop pointer replaces the consumer-facing Loop product (the company raised $5.5 million earlier this year).
“Most recently, streaming set-top box maker Roku unveiled a new controller that includes Hillcrest Labs’ motion-sensing technology,” reports GigaOM. “Right now, that controller is used primarily for a new generation of casual gaming apps — like ‘Angry Birds’ — that have been introduced on its boxes, but we could imagine its use being extended to controlling app navigation with an update to its outdated UI.”
GigaOM suggests that making the TV remote gesture-based will open up the possibility of more interactive experiences that could lead to a revolution, similar to how graphical user interfaces and the computer mouse fundamentally changed how people used their PCs and led to new applications and capabilities: “No longer trapped by the up-down-left-right navigation that comes from traditional remotes, operators will be able to create improved user interfaces. Finally, being able to point and click on the TV screen could also allow broadcasters and advertisers to create more immersive applications as part of their shows and advertisements.”
