CES 2013: DECE Counts 9 Million UltraViolet Account Holders

Digital Entertainment Content Ecosystem’s UltraViolet launched in October 2011 and at the 2013 International CES, attendees can expect to hear news and updates from consortium members about the rollout, support and its Common File Format. A booth located in the Grand Lobby of the Las Vegas Convention Center will offer live demonstrations and an opportunity for CES attendees to register for UltraViolet accounts. Continue reading CES 2013: DECE Counts 9 Million UltraViolet Account Holders

Editor Tim Squyres Talks Challenges of CG Tigers and 3D for Life of Pi

Tim Squyres has worked as director Ang Lee’s editor for two decades, helping Lee to create films such as “Hulk,” “Sense and Sensibility,” “Caution,” “Couching Tiger, Hidden Dragon,” and most recently, the 3D spectacle “Life of Pi.” The Academy Award nominated editor spoke to The Verge about the new film as well as technological advances in editing. Squyres says he’s seen the finished “Life of Pi” 30 to 50 times because movies are produced in so many different forms: “3D, 2D, IMAX, film, 2D digital, 2D film, and for audio there are 7.1, 5.1, Dolby Atmos, near-field for TV speakers, and more,” he said. Continue reading Editor Tim Squyres Talks Challenges of CG Tigers and 3D for Life of Pi

The Future of Exhibition and Aesthetics of High Frame Rate Cinema

“’The Hobbit’ gave us a chance to see a movie projected at 48 fps, and, unless he changes his mind, James Cameron plans to show us ‘Avatar 2’ at 60 fps. Others, including Douglas Trumbull, are talking — and working in — 120 fps,” writes Creative COW. While some embrace the change, others are less in favor of disrupting traditional filmmaking and exhibition. “It’s to be expected that many people who’ve spent a lifetime watching and making 24 fps movies object to the look, many calling it similar to TV or video. HFR Cinema simply goes against the grain,” notes the article. Continue reading The Future of Exhibition and Aesthetics of High Frame Rate Cinema

High Frame Rate 3D Version of The Hobbit is Insanely Gorgeous

  • Peter Jackson’s “The Hobbit: An Unexpected Journey,” shot in 48-frames-per-second HD, “looks nothing like you’ve ever seen before,” writes Wired. “In the 48-frames-per-second version… Middle-earth in 3D looks so crisp it’s like stepping into the foreground of an insanely gorgeous diorama.”
  • The movie will also be released December 14 in standard 24-frames-per-second, but the HFR 3D version allows for more precise images and smoother 3D action because it doubles the “visual data” and decreases blur during quick camera motions.
  • While the 48-frames-per-second approach is great for action sequences, Wired questions its effectiveness during naturalistic scenes. “The flicker, depth of field and imperfect ‘grain’ that lends character to 35-millimeter film historically fostered a collective dreamlike state for audiences who gathered in the dark to lose themselves in images that were never intended to exactly replicate the ‘real’ world.”
  • “In delivering the kind of high-def detail by which every wrinkle gets full attention, fast frame takes getting used to,” suggests the article. “At times, scenes unfold as if part of an extravagantly well-lit, art-directed reality-based series or soap opera.”
  • The 48-frames-per-second method combined with 3D almost makes the film seem something beyond real, suggests Wired, and definitely takes some adjustment for people used to watching standard film.

Cinema History: Warner Bros. to Release HFR Version of The Hobbit

We have an update to Peter Jackson’s “The Hobbit: An Unexpected Journey,” the first major movie release to be shot at 48 frames per second. When the film premieres in the U.S. on December 14, a new projection technique — that could possibly revolutionize the industry — will offer some film fans a brand new experience. Continue reading Cinema History: Warner Bros. to Release HFR Version of The Hobbit