Sony is developing special subtitle-enabled glasses that could be in UK movie theaters as early as next year.
According to the BBC, one in six people have some level of deafness and are not being served well by the movie industry. In fact, many film fans with hearing issues wait for films to be released on DVD when subtitles are available.
“What we do is put the closed captions or the subtitles onto the screen of the glasses so it’s super-imposed on the cinema screen, [making it look] like the actual subtitles are on the cinema screen,” explains Tim Potter of Sony.
“The good thing about them is that you’re not refocusing. It doesn’t feel like the words are really near and the screen is far away. It feels like they’re together,” said test subject Charlie Swinbourne, who is hard of hearing.
“It was a great experience,” he added. “I think it’s a massive opportunity to improve deaf people’s lives and I think there’s great hope that this would give us a cinema-going future.”
If the glasses prove popular in the UK, we should expect to see them in wider availability in the near future.
Ford and Toyota announced this week they will work together on the development of standards for Internet connectivity in their vehicles.
The collaboration will address Bluetooth and Wi-Fi use, in addition to back-end networking infrastructure for in-vehicle data services.
“Standards will be crucial to enable car companies to work with third party developers, device makers, cell phone companies and Internet companies to create applications that are actually compelling to drivers,” reports GigaOM. “Drivers will want to move their data, digital entertainment and Internet services from their homes and cell phones to their cars, and this will rely on a standardized format.”
Ford is developing related technology beyond digital entertainment and basic Internet services, with the goal of enabling vehicles to wirelessly communicate in an effort to reduce crashes and fuel consumption.
ReadWriteWeb journalist Dan Rowinski posted an interesting op-ed piece this week: “HP’s $99 TouchPad Fire Sale Can Teach Everybody A Lesson.”
“Tablets priced at $99 flying off the shelves and what had been a significant headline on Tuesday (Best Buy has 250,000 unsold TouchPads) had completely turned around on Sunday (Good Luck Finding a $99 TouchPad),” writes Rowinski. “It got me to thinking. As much as consumers love their Apple products and the iPad is a terrific device, consumers want something that is price efficient, even if it is a touch flawed. With literally hundreds of thousands of TouchPads sold over the weekend, a significant note should be playing in retailers’ and manufacturers’ heads — opportunities await for those willing to make a sacrifice.”
Rowinski speculates that an iPad killer is not in our immediate future. He also suggests that major changes are in the making with the browser-based mobile apps enabled by HTML5. He discusses tablets by Motorola, Samsung, HTC and Research In Motion and how price point may become as significant a factor as available apps. He addresses how Amazon learned valuable lessons with its Kindle and could possibly “recreate the Kindle furor by introducing a tablet into the market at $200 or less.”
“The great equalizer will be price,” writes Rowinski. “Amazon and to a certain extent Microsoft with Windows 8 have actually benefited from waiting to enter the tablet wars. They now see the battlefield in front of them and what it will take to make an impact. Quality devices with reasonable prices. Then turn and make money through value-added services.”
Adobe has released a preview of Adobe Edge, which uses HTML5 technologies to bring “Flash-like animation and interactive development tools to the Web.”
The company also unveiled a beta version this week of its new Web publishing tool (code-named “Muse”) that is intended to enable users to design and publish Web sites without the need to write HTML code.
According to Digital Trends, the Muse tools will be familiar to those familiar with Adobe InDesign and will be implemented via the Adobe Air desktop application framework.
For those interested in additional information, the article outlines Muse by its four steps of production: Plan, Design, Preview, and Publish.
Adobe Muse is currently available in beta for Windows XP or newer and Mac OS X 10.6 or newer (Adobe Air 2.7 framework must be installed). Pricing has yet to be announced for the 1.0 release expected in early 2012.
If you haven’t already seen the flood of reports online (including a number of related stories on ETCentric), Google announced it will acquire Motorola for $40 per share in cash, or a total of about $12.5 billion. The deal has led to a great deal of speculation this week regarding the future of the Android ecosystem and other enterprises such as Google TV.
“This acquisition will not change our commitment to run Android as an open platform. Motorola will remain a licensee of Android and Android will remain open. We will run Motorola as a separate business,” stated Larry Page in the official Google blog. “Many hardware partners have contributed to Android’s success and we look forward to continuing to work with all of them to deliver outstanding user experiences.”
Page believes the acquisition will also serve as a buffer to anti-competitive patent attacks on Android: “Our acquisition of Motorola will increase competition by strengthening Google’s patent portfolio, which will enable us to better protect Android from anti-competitive threats from Microsoft, Apple and other companies.”
This deal raises a number of compelling questions (see thoughts by Robert Scoble, Peter Kafka and others in the related posts listed below), but first I have to ask: Can Google have its “open platform” and compete with its licensees too?
Facebook has announced a new iOS and Android messaging app named Messenger that will allow users to send and view messages to Facebook friends across the two most popular phone platforms.
The app will also include a group messaging feature that will enable users to message multiple people for a single large conversation. Additionally, Messenger will help with coordinating group events by allowing users to include their current location in messages.
“Now Facebook’s vision when buying app maker Beluga is becoming clear,” reports Digital Trends. “The company has taken Beluga’s group messaging app and married it with Facebook contacts and messages.”
Messenger joins other emerging messaging services such as Apple’s iMessage and Google’s Huddle, but Facebook has the advantage of its 750 million member user base.
Will Facebook’s Messenger have an impact on RIM’s BlackBerry?
Apple’s Mac operating system has reportedly edged past Linux in popularity amongst developers in North America.
Windows OS remains the clear frontrunner for development with 80 percent of developers. However, while 5.6 percent of developers said they prefer Linux, Mac OS has taken second place with 7.9 percent.
“Apple has made tremendous strides in the last few years with innovative products and technologies. [As such], it’s quite reasonable to see developers adopting the Mac and its OS as a development environment,” explains Evans Data CEO Janel Garvin. “Linux has lost some of its luster after years of only single digit adoption.”
Mac OS X is based on the Unix operating system. The latest iteration — Mac OS X Lion version 10.7 — features a redesigned UI to help bridge Apple’s iOS for mobile devices and Mac OS for desktop computers.
Lucasfilm and Sony Pictures Imageworks unveiled Alembic, a computer graphics interchange format, this week at the SIGGRAPH Conference in Vancouver. Version 1.0 is now available for download.
According to Carolyn Giardina of The Hollywood Reporter, Alembic is “an open source system aimed at helping VFX companies easily store and share complex animated scenes across facilities, regardless of what software is being used.”
Sony Pictures Imageworks reports Alembic enables its artists to work 48 percent faster while using significantly less disc space.
At SIGGRAPH, leading software suppliers including Autodesk, Luxology, The Foundry and Side Effects are showing Alembic support for their top products.
American Airlines announced it will roll out Gogo’s in-flight streaming video service to its entire fleet of 767 aircrafts.
The service wirelessly streams movies and TV shows from an in-flight library to Wi-Fi-enabled laptops (at $0.99 per TV show and $3.99 per movie).
The current slate of 100 movies and TV shows will remain accessible for viewing after the flight has concluded. Customers will have access to the movies for 24 hours and TV shows for 72 hours.
The TechCrunch post includes a video demo explaining the service.
Philips announced it will be including streaming set-top and gaming functions in some of its new HDTV sets.
The Philips 4000 and 5000 series, which use the CloudTV platform of ActiveVideo Networks, can access cloud-based games streamed as MPEG files.
Both lines will include Philips MediaConnect, that enables wirelessly connecting the TV and PC.
Other features include NetTV (offering services such as Netflix, VUDU, Facebook, Film Fresh, Pandora and Twitter), V-tuner Internet radio and built-in Wi-Fi support.
The 4000 series features six screen sizes, ranging from 19 to 55 inches, while the 5000 series adds another 10 screens, from 40 to 55 inches.
CNET offers a largely positive hands-on review of Toshiba’s new glasses-free 3D laptop, the Qosmio F755.
A prototype of the 3D laptop was awarded CNET’s “Best of CES” award in January and Toshiba wasted little time bringing the concept to market (the post includes a video review of the prototype from CES 2011).
The $1,699 Qosmio F755 will be available in the U.S. starting August 16.
Toshiba’s new laptop “has a 15-inch 1080p display that uses special eye-tracking software to track the viewer’s head movement and adjust the stereoscopic image accordingly, via the built-in Webcam.”
Features include an Intel Core i7-2630QM CPU, 6GB of RAM, an NVIDIA GeForce GT540M, a 750GB hard drive and a Blu-ray-RW drive.
According to CNET: “Blu-ray content in 3D looked excellent, but took a resolution hit. Like a 3D TV, it requires a few moments to orient your eyes, especially if you’re not used to watching 3D content. But the eye-tracking allowed for a reasonable amount of freedom of movement, and the 3D effect worked from an off-axis side view.”
Jell-O has unveiled a Twitter-powered billboard on the corner of West Broadway and Grand in New York City, enabling consumers to serve as active participants in the company’s advertising.
The billboard features an enormous distorted face that appears happy or sad depending on the number of positive or negative emoticons posted via Twitter.
It is essentially an outdoor physical version of Jell-O’s Pudding Face website, and is paired with a campaign that distributes coupons to cheer up random downcast Twitter users “whenever overall smileyness dips below 50 percent.”
The billboard, from ad agency Crispin Porter + Bogusky, went up last week.
Researchers at UC Berkeley have found that digital music service Spotify is using a cache cookie method with ETags that still tracks when a user has ‘Private Browsing Mode’ enabled.
According to Digital Music News, the cookie technology “cannot be deleted, still tracks if the user blocks cookies, and even operates in browser stealth mode. In fact, if you try to delete this thing, the cookie dynamically regenerates.”
The cookie is powered by analytics platform Kissmetrics, which Digital Music News explains was also used by Hulu and others.
Spotify is reacting quickly, trying to head off a “Cookiegate” incident. “We take the privacy of our users incredibly seriously and are concerned by this report,” explained a Spotify spokeswoman. “As a result, we have taken immediate action in suspending our use of Kissmetrics whilst the situation is investigated.”
Technicolor announced this week that it would be acquiring physical and electronic distribution assets from Cinedigm Digital Cinema.
The deal, which will enable Technicolor to expand its footprint in physical and satellite delivery, is expected to close in September.
It allows Cinedigm to sell the assets of its noncore business while growing support of key areas of alternative content and digital cinema operational software, Cinedigm CEO Chris McGurk told The Hollywood Reporter.
According to ETCentric contributor Carolyn Giardina of THR: “Technicolor will acquire Cinedigm’s physical and electronic distribution assets, including replication equipment and hard-drive inventory as well as a minimum of 300 satellite roof rights in the U.S. and Canada, resulting in an increase of about 40 percent in Technicolor’s North American satellite footprint, which now will include some 1,100 locations. Technicolor will become Cinedigm’s preferred content servicing partner for postproduction through distribution services.”
Technicolor is also acquiring Laser Pacific — the noted post facility that provides feature film, TV, restoration and visual effects services. (Laser Pacific was purchased by Kodak in 2003 for $30.5 million, and was sold to HIG Capital in 2010.)
In related news, ETCentric recently reported that Technicolor and Deluxe have entered into agreements whereby Technicolor will subcontract its 35mm print business to Deluxe in North America, while Deluxe will farm out its 35mm print distribution business in the the U.S. to Technicolor.
In an effort to help emerging artists reach wider audiences, the Sundance Institute has partnered with online video outlets including Hulu, Amazon, Netflix, iTunes, YouTube and SundanceNow.
The deals are not exclusive to any one platform, so films can be made available simultaneously on competing sites.
Films will be packaged under the Sundance name as part of its recently launched Artist Services Initiative. Marketing guidance will also be provided to filmmakers through the new Web-based program.
New Video will serve as the aggregation partner for online distribution, taking a small cut of the revenues. However, the online services will not purchase the movies, enabling the filmmakers to retain their copyrights.
Sundance hopes that the online initiative will provide an audience for films that typically do not find conventional distribution. First to be distributed: “Connected: An Autoblogography about Love, Death & Technology” by Tiffany Shlain and “On the Ice” from Andrew Okpeaha MacLean.
