Oculus Story Studio, a lab program within Oculus VR dedicated to experimentation with the goal of helping virtual reality grow as a platform, is using “Lost Director’s Cut,” a new version of the studio’s short VR film as the basis for a new social experience that promises to change the paradigm of VR experiences from solitary to shared. The purpose of the new demonstration is to show filmmakers and other creatives how far they can push virtual reality beyond current single-person, isolated experiences. Continue reading Oculus Story Studio Explores Ways to Make VR More Social

Perceptiv Labs, a startup from Waterloo, Ontario is launching a device for drones called SHIFT that can be used to capture remarkable aerial shots of an intended subject without ever going out of focus. The two-part accessory, available for pre-order now, comes with a processor and vision sensor that can be attached to the DJI Phantom and 3D Robotics Iris drone models. Users can then use their mobile devices to designate what they want to track and where they want to track it. Continue reading Perceptiv Labs Launches Subject-Tracking Accessory for Drones

At CES in Las Vegas, DJI introduced a really well thought out production tool — the new Inspire 1 flying platform. With a transforming aerodynamic shape, the ship moves the landing gear up and away from the camera allowing the operator an unprecedented motion-compensated, unobstructed view of the scene below. The modular camera/gimbal support system can be removed for transport and future upgrades. It can even be used with an accessory hand mount to become an instant steady camera system. Continue reading DJI Inspire 1 Flying Platform: 4K Dual Control Drone System

As a follow up to its impressive Inspire 1 drone featuring a 4K camera, DJI unveiled a new mount at CES that works using a smartphone and the detachable Inspire camera. The mount was designed for filmmakers, especially those seeking the versatility of using the Inspire to capture aerial and handheld images without excessive equipment. DJI has a reputation among filmmakers. Prior to its Phantom and Inspire drones, DJI was most known for its Ronin brushless gimbals, considered among the best in the market. Continue reading CES: DJI Unveils Handheld Mount for Inspire Drone Camera

Visual effects studios are increasingly using cloud computing technology to crank out film sequences faster and more efficiently. Rendering, the process of finalizing each frame, is an intensive processing process, and the cloud allows studios to use as much processing power as needed to finish the job. When the studio is in between film projects, it can save money because the studio can scale back on its computing power demand, which helps keep VFX costs low for filmmakers. Continue reading VFX Studios Leverage the Power of the Cloud for Film Projects

NextVR, a virtual reality technology and content company, introduced a 360-degree 3D virtual reality rig outfitted with six RED Epic Dragon cameras at IBC in Amsterdam last week. The “NextVR Virtual Reality Digital Cinema Camera System” supports the recording and live streaming of immersive, ultra high definition, stereoscopic content at 60fps and includes spatial audio capture. NextVR also unveiled VR content acquired with the equipment, displaying it on the new Samsung Gear VR headset. Continue reading IBC 2014: NextVR Unveils 360-Degree 3D VR Camera System

During a two-night event hosted by the Academy of Motion Picture Arts and Sciences, neuroscientists and cognitive psychologists met with filmmakers to discuss their impressions of viewer attention and perception. Scientists have studied the mental and physical responses of audiences through eye-tracking experiments and analysis, while filmmakers have relied more on intuition and experience. Both groups are interested in what maintains an individual’s attention during the movie-going experience. Continue reading Cognitive Scientists, Filmmakers Explore Cinematic Perception

A coalition of Hollywood studios is reportedly close to a deal that will help keep Eastman Kodak in the business of manufacturing film stock, despite the entertainment industry’s move to digital production. Prior to the studios’ promise to keep purchasing film, Kodak was considering closing its manufacturing facility in Rochester, New York. Quentin Tarantino, Christopher Nolan, Judd Apatow and J.J. Abrams were among the notable filmmakers who reportedly lobbied studio heads to save film. Continue reading Filmmakers Lobby Hollywood Studios to Help Save Kodak Film

A new app called Skimo, short for “skim the video,” allows users to skim a 20-minute video in about two minutes, straight from their smartphone or tablet. The Skimo video summarization engine uses an algorithm that analyzes the scenes, shots and frames of videos and summarizes them, letting users catch up on television series in a fraction of the time. The service focuses on the formula that writers and filmmakers use to create a captivating show, focusing on the six crucial scenes from each episode.

Continue reading Skimo App Allows Users to Quickly Catch Up on TV Episodes

Earlier this week, Technicolor revealed a prototype of its new Ultra HD set-top box that will allow viewers to watch TV in 4K resolution and at high frame rates twice as fast as typical 30 fps set-tops. Targeted for cable and satellite services, it is is the industry’s first high frame rate 4K STB. Technicolor, which is hoping to start rolling out the first Ultra HD boxes in about a year, is showcasing its family of STBs at this week’s National Cable & Telecommunications conference in Los Angeles. Continue reading Technicolor Ultra HD Set-Top Box Supports High Frame Rate

The Oculus Rift virtual reality headset was developed with video games in mind, but is becoming a compelling possibility for filmmakers as well. A 360-degree interactive video of a live performance by Beck proves to be truly immersive, making the viewer feel as if he or she is on stage with the musician. Makers of the Rift took to this year’s Sundance Film Festival to interact with filmmakers and see how the virtual reality technology can potentially be used in cinema. Continue reading Oculus Rift: Virtual Reality Headset Goes Beyond Video Games

During a talk at the Variety Studio at the Sundance Film Festival, director/producer/actor Mark Duplass offered some straightforward advice to peers and young filmmakers navigating the world of distribution. He stressed the importance of making films available on Netflix, saying the release of his first movie on the streaming media service “made his career.” Duplass, who has debuted nearly 10 films at Sundance, was there to premiere his new project, “The One I Love.” Continue reading Mark Duplass Offers Advice to New Filmmakers: Get on Netflix

Of the 140-plus films in this year’s Sundance Film Festival, 26 of them were crowdfunded through Kickstarter and Indiegogo. Zach Braff’s “Wish I Was Here” was one such film, which raised funds from more than 47,000 fans to make up part of its $5 million budget. Some question what kind of impact crowdsourcing might have on sales and distribution, but many filmmakers insist it’s a great way to raise awareness and interest in their productions. Continue reading Increasing Number of Sundance Films are Being Crowdfunded